Colorado, Charlotte Symphonies Make A Musical Bet On The Super Bowl
As football fans in Denver and Charlotte, N.C., await the outcome of the NFL championship game this Sunday, the cities’ symphonies have announced a friendly football wager.
If the Carolina Panthers win the Super Bowl, the Colorado Symphony will play an arrangement of Neil Diamond’s tune “Sweet Caroline” at an upcoming concert. Associate Conductor Christopher Dragon would wear the jersey of Panthers quarterback Cam Newton during the performance.
If the Denver Broncos win, the Charlotte Symphony will treat its audience to “Hoedown” from Aaron Copland’s “Rodeo” while the orchestra’s conductor wears a Peyton Manning jersey. (“Rodeo” was a highlight of the Colorado Symphony’s recent disc of Copland recordings.)
The Colorado Symphony announced the bet at its Friday concert, which aired live as part of the CPR Classical LIVE! concert broadcast series. They also played a unique version of "Hoedown" as part of the announcement:
Whatever the outcome of the game, at least listeners in the losing team’s city can expect some fun music as a consolation prize.
The schedule includes what you'd expect from one of the world's biggest summer classical festivals: orchestra concerts, chamber music, solo recitals, three staged operas and other unusual classical performances.
A few highlights:
July 3: Soprano Renee Fleming sings Richard Strauss’ “Four Last Songs” in a concert conducted by Music Director Robert Spano.
July 15: Violinist Joshua Bell performs Camille Saint-Saens’ Violin Concerto accompanied by the Aspen Chamber Symphony.
July 19: The Emerson String Quartet plays a 40th anniversary concert featuring music by Joseph Haydn, Johannes Brahms and Alban Berg.
July 28: Violinist Sarah Chang, an alumni of the festival’s school, performs Astor Piazzolla’s “Four Seasons of Buenos Aires.”
Aug. 7: A performance of John Luther Adams’ “Inuksuit” for 99 percussionists, presented in partnership with the Bravo! Vail music festival
Aug. 21: Spano conducts a season-closing performance of Carl Orff’s “Carmina Burana” featuring the Aspen Festival Orchestra, Colorado Symphony Chorus and Colorado Children’s Chorale.
The Colorado Symphony rolled out its 2016-17 lineup today. The schedule includes four concerts by Music Director Andrew Litton, who will serve as principal guest conductor and scale back his work here to focus on his work with New York City Ballet.
There’s also a family series featuring a Halloween concert and a “Peter and the Wolf” performance. And there’s the return of the “Geek Package,” which sees the symphony accompanying movies like “Raiders of the Lost Ark” and “E.T.: The Extra-Terrestrial.”
Some of the highlights planned for Boettcher Concert Hall next season:
Sept. 16-17: Litton leads opening weekend concerts featuring Brahms’ Piano Concerto No. 2 and Strauss’s “Also Sprach Zarathustra.”
Oct. 14-15: The world premiere of “Rising Phoenix,” a violin concerto written for concertmaster Yumi Hwang-Williams by University of Colorado composer Daniel Kellogg
Nov. 4-5: Violinist Augustin Hadelich plays Benjamin Britten’s Violin Concerto on a program that includes Samuel Barber’s Adagio for Strings.
Nov. 11-12: Pianist and songwriter Ben Folds performs his Concerto for Piano and Orchestra with the symphony.
Feb. 17-18, 2017: American Contemporary Music Ensemble member Nadia Sirota plays Nico Muhly’s Viola Concerto with conductor Andre de Ridder.
March 3-5, 2017: Associate conductor Christopher Dragon leads the orchestra in Schumann’s Piano Concerto in A minor with soloist Jeffrey Kahane. The program also features the Colorado Symphony Chorus on Brahms’ “Nanie” for Chorus and Orchestra.
May 5-7, 2017: Christian Macelaru conducts J.S. Bach’s St. Matthew Passion, also featuring the Colorado Symphony Chorus.
May 19-21, 2017: Litton conducts Gustav Mahler’s Symphony No. 3 with mezzo-soprano Michelle DeYoung, the Colorado Symphony Chorus and Colorado Children’s Chorale.
And The Next Maestro Of The New York Philharmonic Is...
Conductor Jaap van Zweden, who currently leads the Dallas Symphony, will be the next music director of the New York Philharmonic. His tenure begins in 2018, and he'll serve as Music Director Designate for the 2017-18 season, the Philharmonic announced Wednesday.
The Dallas Morning News notes the 55-year-old maestro came to the podium relatively late in his music career but has impressed listeners and critics alike:
Van Zweden, 55, was initially trained as a violinist in his native Amsterdam and at New York’s Juilliard School. He became sufficiently brilliant a player to be named the youngest-ever concertmaster of Amsterdam’s Royal Concertgebouw Orchestra, where he played under the most famous conductors of the day.
He was a relatively late convert to conducting, but in 1997, after some initial experiences on the podium, he gave up playing the violin to devote himself full-time to conducting. Holding a couple of principal conductor positions in the Netherlands, he was little known beyond before his appointment in Dallas. Soon, however, he was conducting top orchestras on both sides of the Atlantic and garnering critical praise. He was named Musical America’s 2012 Conductor of the Year.
Van Zweden's work as a conductor began with an encounter with a legendary conductor, according to the New York Times:
It was a chance request from Leonard Bernstein that set him on a new path. In the late 1980s, the Concertgebouw Orchestra was on tour in Berlin, playing Mahler’s Symphony No. 1, when Mr. Bernstein, who was conducting, decided during a rehearsal that he wanted to hear the orchestra from the audience.
So he asked Mr. van Zweden to take over.
“I said, ‘But Maestro, I never conducted in my life a single note,’” Mr. van Zweden recalled. “He said, ‘That’s OK, just do it.’ To say no to him — that was, I would not say dangerous, but you just did not do that. So I did. And after that he said, ‘That was pretty bad — but I saw something there, and I would really like you to take it seriously.’”
A few years later, he did. He began studying conducting and, after being invited to lead a small Dutch orchestra, gave up the safe post of concertmaster — and the violin — at 36.
Now, van Zweden has the job Bernstein held from 1958-69 with the New York Philharmonic. He replaces outgoing Music Director Alan Gilbert.
Watch a clip of van Zweden and the Dallas Symphony playing Beethoven's "Fidelio" Overture at Bravo! Vail:
Litton Shapes The Sound Of The New York City Ballet
The New York Times offers a look at Colorado Symphony Music Director Andrew Litton as he settles into his new role at the New York City Ballet.
The Colorado Symphony in September announced Litton would step down as music director at the end of the 2015-16 season. After that, he’ll serve as artistic adviser and guest conductor for another two years.
The New York Times article offers insights on how hearing and conducting ballets inspired him throughout his career:
And when, as a young man, he dated a City Ballet dancer, Mr. Litton found himself watching the company nearly every night at what was then called the New York State Theater, experiencing for the first time many pieces that he later went on to play and record, including Ravel’s Piano Concerto in G and Gershwin’s Piano Concerto in F.
“I actually learned these pieces as a pianist because I experienced the works as ballets, which is crazy — totally the wrong way around,” he said, with a laugh. “The relationship went south, but my love of these pieces never did.”
The story also covers Litton’s recording plans with City Ballet, plans for collaborating with composers on new ballets and a funny moment in which the conductor offers a new approach to music in Tchaikovsky’s “Nutcracker" ballet.
“This is a bit like telling the Vienna Philharmonic how to play Strauss,” he told the Times.
Litton conducts the Colorado Symphony on Feb. 19 and 20 in performances of Gustav Mahler’s “Resurrection” Symphony.
In Case You Missed It: Cantus on 'A Prairie Home Companion'
Did you hear who stopped by Lake Wobegon last weekend? Cantus, the Minneapolis-based male vocal ensemble paid a visit to Garrison Keillor and sang "There's a Meeting Here Tonight" and "MLK" on A Prairie Home Companion.
Yeah, it was technically a rerun from 2012. But it still sounded great. Hear the episode for yourself: