“You have to be in the right place at the right time, and often we’re not,” says the professor in Harvard’s astronomy department. “So all you can do is do a stellar autopsy and go back and try to pick up the pieces and try to figure out what happened.”
Soderberg’s autopsy involves collecting every signal her team can from the explosions: radio waves, light, X-rays. They try to put this information together in a way that makes sense. And often that’s hard to do. “The data analysis itself is very detailed,” she says
“I have been able to listen to meteors passing through the atmosphere, solar storms, that is just to give you a gist,” she says. The data from stars, comets and planets all sound different. “Every sound I listen from the skies, it has its own voice.”
Soderberg and her team worked with Diaz to turn the deaths of stars into songs. Each signal collected in the autopsy gets its own part in the orchestra:
“The Radio gets the drums, the X-ray gets the harpsichord, and everything in between gets a different instrument, like a violin or a flute,” Soderberg says. She presented the first of these songs this week at the American Astronomical Society annual meeting in National Harbor, Md.
When Soderberg listens to these songs, she started to hear things. Things she hadn’t noticed when she looked at the data.
Each supernova sounds different, because each star dies in a different way.
“Stars can [die] by running into each other for example, like a car crash, or they can die by just running out of fuel,” she says. “A lot of stars will do interesting things before they die like pulsate or spin or get overheated.”
The songs map the story of the star as it explodes and expands and cools into a cloud of gas and dust.
But these aren’t only deaths. These supernova explosions release enormous quantities of elements like carbon, oxygen, nitrogen. Elements we need; elements we’re made of.
“I mean, supernovae fertilize the universe,” Soderberg says. “We wouldn’t be here if it wasn’t for supernovae.”