A recording of migrant children crying for their mothers and fathers has gripped the nation — and ratcheted up the debate over the Trump administration’s policy of separating families at the border.
The seven minutes of audio, recorded last week, provide rare insight into one of the facilities where children are temporarily held while their parents remain in immigration detention.
Amid the wailing children, a Border Patrol officer is heard saying in Spanish: “Well, we have an orchestra here. What’s missing is a conductor.” The children had been held at the unidentified facility less than 24 hours.
An unnamed source made the recording and provided it to Jennifer Harbury, a civil rights attorney who works in Texas’ Rio Grande Valley. Harbury, in turn, provided it to Ginger Thompson, a senior reporter with the investigative news organization ProPublica.
Harbury told CBS News that the person who provided the tape to her is a person known to her and is of “impeccable integrity.” She added that the whistleblower made the tape in person and brought it to her.
The recording fills a critical gap in understanding the policy of separating families at the border. There’s been a lot of debate about the policy such as where it came from and who started it, ProPublica’s Thompson says.
But those discussions have taken place at a “sanitized level, where we talk in sterile political terms,” she says.
“The voices that have been left out of that conversation are the voices of the people with the most at stake, who are these children,” Thompson says. “Unless we hear from the children, we don’t have a real understanding of what it is, of what this policy is, and what it’s doing.”
On what Thompson knows about the source
This is a source that has had access to this facility, has had access to this facility on a number of occasions, and has legitimate reason to have access to this facility, and has access to the people who are in this facility.
I can’t tell you who the person is and I can’t tell you what the person does because that would identify the person. And that person is justifiably worried about retaliation for making this recording.
On whether the audio was edited
It was not edited. … I spoke at length with the source about having all of this audio, and had a long discussion about why we would not accept a tape that was edited.
On whether it’s possible to judge how representative the recording is
A lot of times journalists, what we do to try to explain a reality — a big reality that involves thousands of people — is we try to find one case, go in deep on one as a way to show a larger reality.
Could we say that this is what it looks like in every place? I don’t think we purport to say that this is what it looks like in every place. But we say that this is certainly what it looks like here. And if it looks like this here, it raises questions about what it looks like in other places, and I think gives some indication of what things might look like in other places.
On whether the recording could have been made at a particularly bad moment or taken out of context
Not according to my source, who as I’ve said, has had access to these facilities for a while, and has seen these kinds of separations and has been in the middle of this policy for a while. So no, I got no indication from this source. This was an average day at a Border Patrol facility.
On what’s happening during the recording — and the Border Patrol agent heard making a joke
One of the things you can hear fairly clearly are consular officials talking to the kids and trying to console them. There is one point where one of the officials talks to a kid, is handing the child a toy, and then they’re trying to urge the kids to eat something and they’re handing out snacks, and they’re asking the kids where they’re from. And the Border Patrol official is also trying to console the kids. And I think in his comment about the orchestra, he’s kind of, I think, trying to lighten the mood and maybe clumsily trying to joke with the kids. It’s just clear from the tape the kids are inconsolable.
On what Thompson thought when she first the tape
It was shocking, to be honest. I have lots of small children in my own family, and their voices kept ringing through my head as I was listening to the voices of these kids and thinking about what must these kids be going through. It’s just incredibly powerful.