Behind The Baton

Behind the Baton logoBehind the Baton logo

Join conductor and music educator Scott O’Neil every day for stories that reveal and demystify classical music.

Behind the Baton broadcast schedule: Mon. at 7 a.m., Tues. at 1 p.m., Wed. at 3 p.m, Thurs. at 8 a.m., Fri. at 11 a.m., Sat. at 9 a.m. and 4 p.m., Sun. at 2 p.m. and 6 p.m., or you can play the story below.

Check back here each week for a new story from Behind the Baton with Scott O'Neil.


Music's most extraordinary stories often reveal something about ourselves. They surprise, awe or fascinate us. They can also demystify classical music, especially told from Behind the Baton by the conductor.

A good music conductor strives to get inside the mind of the composer (dead or alive), then conveys the composer's vision to the performing musicians and ultimately, the audience. Leading a major new work can be like baptism by fire. By the end, the conductor knows and understands the music and its forgotten stories more than virtually anyone.

Colorado conductor Scott O’Neil uncovers the hidden stories of the great works, as the former longtime Resident Conductor of the Colorado Symphony. Scott shares his captivating insights every day on CPR Classical from our Steinway piano in the CPR Performance Studio. Discover the extraordinary stories of the most enduring and beloved melodies, from Behind the Baton. ~Monika Vischer, Program Director, CPR Classical


Beethoven conducts.

April 12 - April 18: Fate Knocks at the Door

The opening of Beethoven's 5th Symphony might be one of the most recognizable sets of notes in classical music. Conductor Scott O'Neil explains how that ominous beginning has come to represent fate itself.

Beethoven’s 5th Symphony
Samuel Barber (center) with his partner, composer Gian Carlo Menotti (right), and Aaron Copland (left) in 1945.

April 5 - April 11: Pulling at the Heartstrings

Samuel Barber's most famous work, his "Adagio for Strings" speaks directly to the heart. Early reviewers said it "rarely leaves a dry eye." Scott O'Neil demonstrates exactly how Barber achieves the work's dramatic emotion.

Barber: Adagio For Strings

Mar. 29 - April 4: Less is More

Ella Harpstead
A sunrise in Bergen, Norway.

Some adjacent notes in a standard musical scale create friction when you play them together. Edvard Grieg simply removed those clashing notes, and left us with a quieting beauty aptly named: Morning Mood.

Peer Gynt: Morning Mood
Alma Schindler Mahler

Mar. 22 - Mar. 28: A Musical Love Letter

Alma Schindler was a gifted composer before she gave it up to become the devoted wife of Gustav Mahler. How did he woo her? With messages of deep yearning that he placed in his famous adagietto of his Symphony No. 5. Scott decodes exactly how Gustav pulled on Alma's heartstrings in one of the most luscious works for orchestra ever conceived.

Mahler’s Adagietto for Alma

Mar. 15 - Mar. 21: Bernstein in Vienna

Wikimedia Commons
Conductor Leonard Bernstein

Forget that Leonard Bernstein was one of the world's greatest conductors. The Viennese had no problem telling the famous visitor from New York just how to properly conduct a Viennese Waltz. Scott O'Neil tells us the story.

Bernstein in Vienna

Mar. 8 - Mar. 14: The Hymn Heard 'Round The Galaxy

pixabay

The hymn section of Gustav Holst's famous Jupiter fills the soul with warmth. By strange serendipity, this music later found its mate - the words - an ocean away, and fell beautifully into orbit. Scott tells the story.

Behind the Baton: Holst’s Hymn

Mar. 1 - Mar. 7: A Musical Time-Off Request

The Esterháza palace in Hungary.

How do you tell your boss, "Enough overtime. Let us go home!" Joseph Haydn found a clever, musical way to drop the hint. Scott O'Neil shares the story behind his "Farewell Symphony," a perennial favorite to this day. 

Behind the Baton: Haydn’s Farewell Symphony

"The Wheel of Fortune" from the Codex Buranus (Carmina Burana)

Feb. 22 - Feb. 28: Fated To Be A One-Hit Wonder?

Scott O'Neil breaks down the allure and magic of the opening to Carl Orff's best known work. “O Fortuna, the opening section of the cantata “Carmina Burana, was written in 1935-1936 and features Latin text from early 13th century.

Behind the Baton: O Fortuna

Josefina Čermáková in the 1870's

Feb. 15 - Feb. 21:
Dvořák's Tribute to a Lost Love

Antonín Dvořák's first love, Josefina Čermáková, never returned his affection and Dvořák married her sister instead. When Josefina became terminally ill, Dvořák adapted the melody of her favorite vocal piece and added it to his Cello Concerto.

Behind the Baton: Dvořák’s Cello Concerto in B minor

Feb. 8 - Feb. 14: Painting A Portrait With Music

Daian Gan via Pexels

Composer Edward Elgar wrote 14 variations on a theme for his “Enigma Variations” and dedicated the work “to my friends pictured within.” Variation I is dedicated to his wife Alice and incorporates the tune he would whistle to announce his arrival home each evening.

Behind the Baton: Enigma Variations

Wikimedia Commons
Composer Charles Tomlinson Griffes

Feb. 1 - Feb. 7: American Impressionist Charles Tomlinson Griffes

Claude Debussy, Maurice Ravel and Erik Satie are all well known French impressionist composers, creating distinctly lush and exquisite music. But impressionist music wasn't just created in France; learn about American composer Charles Tomlinson Griffes.

Behind the Baton: Charles Tomlinson Griffes

Mozart painted by Barbara Krafft

Jan. 25 - Jan. 31:
Mozart, Mannheim & Motown

Much like Detroit is known for its “Motown” sound, in the mid-1700's the German town of Mannheim in had its own distinctive sound which Wolfgang Amadeus Mozart built on for some of his most famous pieces.

Behind the Baton: Mozart, Mannheim and Motown

A beer flight from New District Brewing Co.
A beer flight from New District Brewing Co.

Jan. 18 - Jan. 24:
Classical Drinking Songs

When Johannes Brahms was asked to compose for a formal academic ceremony, he cleverly arranged college drinking songs for orchestra, to the shock of college establishment. O'Neil helps us identify the rousing melodies in the “Academic Festival Overture” by Brahms.

Behind the Baton: Academic Festival Overture

Composer George Gershwin

Jan. 11 - Jan. 17:
America's Piano Concerto

George Gershwin's “Rhapsody in Blue” is the most famous American piano concerto. Written in 1924, it’s been used to represent the United States in everything from the olympics to airline commercials. Learn how Gershwin synthesized the input of musicians and the world around him to create a truly American sound.

Behind the Baton: Rhapsody in Blue

A sunrise from the summit of Pikes Peak.Courtesy PK Knickerbocker
A sunrise from Pikes Peak.

Jan. 4 - Jan. 10:
What Does A Sunrise Sound Like?

Hear a morning sunrise from Maurice Ravel's magical ballet “Daphnis et Chloé”. The piece premiered in Paris, summer of 1912 by the company “Ballets Russes”. It tells the love story of the goat herder Daphnis and the shepherdess Chloé.

Behind the Baton: Daphnis et Chloé

Behind The Baton On CPR Classical

  • Monday at 7 a.m.
  • Tuesday at 1 p.m.
  • Wednesday at 3 p.m
  • Thursday at 8 a.m.
  • Friday at 11 a.m.
  • Saturday at 9 a.m. and 4 p.m.
  • Sunday at 2 p.m. and 6 p.m.

Listen to CPR Classical by clicking “Listen Live” on this website. You can also hear CPR Classical at 88.1 FM in Denver, at radio signals around Colorado, or ask your smart speaker to “Play CPR Classical.”

More Musical Insights from Scott O'Neil

The Great Composers Podcast
Host Karla Walker and conductor Scott O'Neil look at the world through the eyes of these gifted artists. Learn about obstacles they overcame, and their loves, losses, successes and failures. You'll feel you know Mozart, Rachmaninov and others as friends.