Listen this weekend starting Thursday at 2 p.m. for all the hits, favorites and “must hear” pieces in classical music. It’s one essential classic after another for over 100 straight hours!
What Makes a Classic “Essential”?
CPR Classical Music Director Jeff Zumfelde works to create just the right mix of music to get your heart relaxing, reveling, or revving this holiday weekend. And it’s all about making connections big and small. Zumfelde looks for pieces that embody the essence of classical music and he sees that as a living thing. Each year the list of essentials is a little different.
Historical threads are the starting point: music that has stood the test of time and is widely known -- Bach, Mozart, Beethoven, Brahms, the melodies most people can hum like Vivaldi’s Four Seasons or the aria Largo al factotum sung by the clever and rebellious Figaro in Rossini’s opera The Barber of Seville.
2020 is the 250th anniversary of Beethoven’s birth, so we’ll get to all his greatest hits. Count on hearing Beethoven’s Für Elise and his big symphonies like Nos. 5, 6 & 9 (Ode to Joy). Mozart is the focus of our concert series this weekend, The Symphony Influencers, with his final three symphonies played in a row, Symphony Nos. 39, 40 and 41, the last known as Jupiter. This monumental trilogy, written in a mere six weeks, set the stage for Beethoven’s musical revolution.
Tchaikovsky’s beloved Violin Concerto airs on Monday at 2 p.m. and it opens doors to other essentials. Zumfelde explains, “I can look to violin concertos written by Florence Price, where she’s clearly influenced by Tchaikovsky and a part of the continuity of telling the story of the violin concerto. And then we can play a choral piece by Adolphus Hailstork, who’s alive and writing today, but maybe wouldn’t have had the same opportunity to be exploring his voice as a composer if people like Florence Price hadn’t been given the opportunity that they were decades ago.”
Zumfelde selects some essential pieces based on where and who we are as Americans: Appalachian Spring by Aaron Copland, Symphony No. 1 “Afro-American” by William Grant Still and West Side Story: Symphonic Dances by Leonard Bernstein. We’ll hear performances that illustrate the musical riches of our state from the Colorado Symphony, Boulder Philharmonic, Kantorei, St. Martin’s Chamber Choir and the Takacs Quartet, which just debuted its newest member this summer, violist Richard O’Neill. Local soloists this weekend include pianists Katie Mahan and David Korevaar as well as violinists Yumi Hwang-Williams, Charles Wetherbee and flutist Brook Ferguson - all part of Colorado's musical lifeblood and artists who often represent Colorado on the national and international stages.
There’s a rich Latin American history in classical music as well, like Brazil’s Heitor Villa-Lobos, Argentina’s Astor Piazzolla and Mexico’s Manuel Ponce. Featuring these composers during this Essential Classics Weekend is a warm-up to CPR Classical's celebration of Latin Heritage Month September 15 - October 15.
It’s also essential to share the music of women who have broken musical barriers over time from Hildegard von Bingen in the 12th century through to Fanny Mendelssohn, Clara Schumann and Lili Boulanger. In America, women like Amy Beach, Margaret Bonds and Peggy Stuart Coolidge laid important groundwork for female composers. Others followed, like Joan Tower, Libby Larsen and Jennifer Higdon, paving the way for an increasing number of successful young women writing music in recent years, including Pulitzer Prize winner Caroline Shaw, Reena Esmail and Missy Mazzoli.
The newest Essential Classic this weekend premiered just a few weeks ago for the centenary of the 19th amendment, giving women the right to vote. CPR Classical will broadcast Stacy Garrop’s Battle for the Ballot on Saturday, September 5th at 1:00 p.m., featuring narrated quotes from white and African American suffragists.
Of course, we’ll hear from essential superstar performers like cellists Yo-Yo Ma and Sheku Kanneh-Mason, guitarist Sharon Isbin, violinists Itzhak Perlman, Rachel Barton Pine and Joshua Bell, soprano Renée Fleming, pianist Lang Lang and the inspiring conductor, Gustav Dudamel.
“This is music for everybody because it’s being made by everybody as well,” says Zumfelde. “We invite people to see all of this music-making as a constant conversational stream of great stuff that we enjoy.”
Here’s more of what to expect this weekend:
- Gioachino Rossini: William Tell Overture
- Edward Elgar: Cello Concerto
- Claude Debussy: Clair de Lune
- Ludwig van Beethoven: Symphony No. 3 “Eroica”
- William Grant Still: Symphony No. 1 “Afro-American”
- Reena Esmail: Nishani
- Ludwig van Beethoven: Symphony No. 9 “Choral”
- Fanny Mendelssohn: Piano Trio
- 1 p.m. Stacy Garrop: Battle for the Ballot - premiered August 9, 2020 online at The Cabrillo Festival of Contemporary Music
- Mozart: Requiem (During Sing! with David Ginder, 6-10 a.m.)
- Moses Hogan: Elijah Rock
- Aaron Copland: Billy the Kid: Ballet Suite
- Modest Mussorgsky: Pictures at an Exhibition
- Peter Tchaikovsky: Violin Concerto
- Florence Price: Violin Concerto No. 1
Which classical music is essential to you? Let us know, send an email to firstname.lastname@example.org
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